For the most part, Wednesday nights this fall are full of established shows and consistent performers for their networks, but four shows are lucky enough to get some strong lead-ins.
Joining ABC’s night of comedy is Back in the Game, which appears to be another family-based sitcom, and Super Fun Night, which I’m mostly looking forward to because it stars Rebel Wilson from Pitch Perfect.
Meanwhile, Ironside will cap off NBC’s Wednesday night line-up. It’s another cop show, but the twist is that the lead detective is in a wheel chair; however, that doesn’t make him any less good at what he does.
Over on The CW, The Tomorrow People should fit in nicely with the escapades of Oliver Queen, as the show is about a group of pretty-looking people with extraordinary abilities fighting evil or something.
Although I don’t feel strongly about Back in the Game, I’m thinking NBC’s Ironside is the most likely to be short-lived. We all know NBC has been struggling and I don’t know if another cop show is going to be their saving grace. The show’s creator also has a pretty small IMDB list so this one is certainly a wildcard.
Revolution has made the move from Monday nights at 10pm to the family hour in the middle of the week. Creators however promise that Revolution will still be action-packed. I personally remain a bit skeptical about the unfolding plot lines and may drop the show from my watch list.
Wednesday night is a big night for law enforcement with TV staples like Criminal Minds, CSI, Law & Order: SVU, and now Ironside.
Arrow, The Tomorrow People, and Revolution also hunt down the bad guys, albeit with a bit more brute force and a lot more arrows.
In a rare move, ABC will be premiering an entire night of new programming starting with Marvel’s Agents of S.H.I.E.L.D at 8pm. It seems that ABC is banking on the Marvel brand, the popularity of The Avenger’s movie, and Joss Whedon’s new found mainstream popularity to create a strong lead-in for Tuesday night’s primetime schedule – I personally hope it succeeds.
At 9pm they’ll try a new duo of comedies: The Goldbergs and Trophy Wife. If you recall, last season, Don’t Trust the B in Apartment 23 and Happy Endings failed to find a sizable audience in the same time slots. I really enjoyed both of those shows so I’m feeling pretty nonchalant about their replacements’ success.
Lucky 7 caps the night off in the 10pm time slot. Out of all of the new ABC Tuesday night shows I have the least amount of faith in this one.
FOX will be debuting two new comedies. Brooklyn Nine-Nine starring Andy Samberg, Andre Braugher, and Fred Armison, which looks like it could be amusing; however, Dads is this year’s new show that begs the question, “How did this ever get the go-ahead?”
Meanwhile The CW will stick with its moderately successful formula of supernatural remakes/re-tellings/adaptations with The Originals, a spin-off of The Vampire Diaries. The show will be airing on Tuesday nights but will make its network debut on Thursday October 3rd at 9pm, following the 4th season premier of The Vampire Diaries.
Seriously just watch the current FOX promo for Dads. The show was created by Seth MacFarlane though, so I might be out-of-luck since he’s got a good track record of success – i.e. Animation Domination.
The second season of New Girl was excellent, so I cannot wait to see what kind of hijinks Jess, Cece, Nick, Schmitt, and Winston get themselves into this year. Also Coach is set to return for a handful of episodes. Should be fun.
If you’re seeing a pattern develop here then you’d be correct, next week I’ll be taking a look at Wednesdays’ new and returning TV shows.
Despite generally playing it safe, mostly because they can, CBS is making the biggest moves on Monday night this year with the debut of three new series. Two of which, We Are Men & Mom, will join their powerhouse Monday night comedy block. (I can’t stand shows with laugh tracks and I’ve never fallen in love with any of Chuck Lorre’s other series, but Mom stars Anna Farris so I might have to give it a shot.)
After two hours of laughter, CBS switches gears with Hostages, which will anchor the night at 10pm. The title might not include the acronym CSI, but the series is produced by Jerry Bruckheimer and stars some big names like Toni Collette and Dylan McDermott.
FOX and NBC have kept more seasoned and consistent performers around in an effort to create strong lead-ins for their newbies. FOX is taking a gamble on a re-telling of the classic Sleepy Hollow story while NBC has opted for a less fantastical drama with The Blacklist staring James Spader.
From what I’ve seen, this series reminds me a lot of the other high-concept TV shows that aimed big and fell short. Also, I just don’t see how this plot can be stretched out over more than one season – the creative team has even had clarify that this show is not meant to be a miniseries. But of course I also feel that way about Under the Dome and that series is pulling in decent numbers and just received a second season pick-up, so I guess we’ll just have to wait and see.
It’s only taken 9 seasons, but Ted finally gets to the point of the story in this final order of episodes.
Monday nights are risk-averse for ABC and The CW. However, both Hart of Dixie and Beauty & The Beast are new to the night, although given how often The CW show’s are time-shifted these moves will probably have little to no affect on their live ratings.
Next week I’ll be talking about Tuesday night’s new Fall TV line-up so keep an eye out for that post.
It’s summertime, which means vacation – the beach, road trips, camping and all sorts of other travel shenanigans. Not all of us can be jet-setters though, so if you’re planning a staycation or just need something to do when its raining or when you are so sunburned that going outside is out of the question, here’s a handful of vacation episodes from your favorite TV shows to enjoy.
How some people manage to watch an episode of something live and then not stayed tuned for the promo is beyond me. I need those few extra seconds of whatever I am watching and always make sure to set my DVR to run a minute or two late so I don’t miss anything, which includes the ‘next time on’ portion of my program. Even when I’ve watch TV online I’ll seek out the show’s promo immediately after.
But there is a real art to making TV promos and trailers. Of course a TV show’s genre is going to dictate the hook or the tease, but sometimes I really feel like less is more.
For episodic and procedural series, I get it, networks need to show something crazy in order to keep the casual viewer coming back for more, but for serialized series, I’m going to assume that viewers will be tuning in again and again no matter what airs after the credits. (Spoilers Below)
I’ve got a theory that most TV promos, and movie trailers for that matter, are going to make something look better than it really is. After all, 30-60 seconds is not enough time to really highlight flaws.
But with that being said, I do think it is possible for a promo to oversell how incredible the next episode will be. In fact, the more an episode becomes a ‘must see’ or ‘can’t miss’ I become weary of what I am about to see.
From my experience, ER is the most notable repeat offender of setting unrealistic expectations, especially in its later seasons:
Maybe the oversell is unavoidable, I mean they are meant to create hype, but spoiling big plot points is not. In fact, it’s my biggest pet peeve with TV promos – Is it really necessary to give away a major twist or character death just to ensure viewers will return?
And I’m not talking about the ones that allude to an upcoming ominous event, I’m talking about ones that flat out say someone is going to die:
Much like ER, as House M.D. aged it began relying on more and more ridiculous plot twists and similarly crazy promos, but I do have to give them props for this more-subtle preview for “Simple Explanation” (5×20), the fifth season’s infamous Kutner episode.
I don’t want this blog entry to only be a rant about TV promos, so I figured I’d also share some of my favorites:
Fringe promos were, and are, some of the most creative previews I’ve ever seen. To check out more of the series’ standouts I recommend reading E! Online’s interview with Ari Margolis, the mastermind in FOX’s special ops department.
The following Smallville and House M.D. promos are also effective, but for me they are more memorable for their choices in music:
So what’s your TV promo pet peeve? Do you even watch promos? If so, are there any previews that standout to you, either for their excellence or absurdity? Feel free to share your favorites in the comments section below.
For vacation this year I happily left the cold weather behind for a few days and traveled south to Universal Studios and SeaWorld in Florida. And while I loved the roller coasters and warm weather – The Wizarding World of Harry Potter was one of the main highlights. I read the books, saw the movies, and now I can say I’ve had Butterbeer, wandered through Hogwarts, and ate lunch at the Three Broomsticks restaurant in Hogsmeade.
Bryan Fuller’s newest TV creation, Hannibal, is set to premier on Thursday, April 4th 2013 at 10pm. And although the show is about a serial killer and appears to be dark and stylized – in a creepy fantastical way, I’ve got a feeling that the show has more to be scared about than the audience.
NBC may have had a banner summer and fall season, courtesy of The Olympics, Sunday Night Football, Revolution, and The Voice, but ever since the new year the network has been in a ratings free fall (see: all Thursday night comedies, Smash, and Deception). NBC is clearly behind Hannibal in some capacity – I mean they did order it to series, but from my understanding, it’s only appearing on the schedule because they’ve basically run out of all other options (example: NBC is already airing re-runs of SNL on Saturdays right before new episodes).
In the fall, Rock Center with Brian Williams aired in the Thursday 10pm slot, but it was shuffled to Fridays in order to make room for the quickly cancelled Do No Harm, which is only memorable to TV nerds for having the lowest-rated in-season scripted premier ever. With Do No Harm disappearing off of the schedule after just 2 episodes, NBC has gone to their workhorse – repeats of Law and Order: SVU – to fill the gap.
Many mid-season shows on the other networks aren’t fairing much better. ABC’s new high concept series Zero Hour was just cancelled after 3 episodes. CBS’s Golden Boy premiered to modest ratings (keep in mind that CBS has much higher standards). The CW’s new show Cult was bumped to Fridays (airing repeats of other series on Tuesday night is apparently a better alternative) and even though season 2 of Touch has yet to air on FOX, I’d wager that it’s not going to see a third season.
Dr. Hannibal Lecter’s other problem: he isn’t the only serial killer / notoriously insane person on TV right now. Besides the standard murder-fare from CSI, Criminal Minds, and Law & Order, FOX has the new Kevin Bacon series The Following, which has not been the breakout hit everyone was hoping for, Bates Motel is coming soon to AMC, and from what I can tell The CW’s Cult is likewise going for the dark twisted tone. So the real question is, does America really want to see more murder and another iteration of Hannibal?
Of course with all of that said, I’m still really looking forward to Hannibal. If anyone can find a new take on an existing story, especially one involving death, it’s Bryan Fuller – creator of Wonderfalls, Dead Like Me, and Pushing Daisies. He also wrote for Heroes and was behind the one-off Halloween special Mockingbird Lane (aka the failed Munsters reboot).
There’s no question that Fuller can create quality TV, but longevity has yet to be his strong suit. Dead Like Me, which aired a decade ago on Showtime still remains his longest-lasting series with just 29 episodes (2 seasons). Hopefully Hannibal will be different. And on the up-side, NBC is in such a state of disarray that their definition of success is a bit more liberal than most.
So get in the cannibalistic spirit with the newest Hannibal preview:
According to Wikipedia, ‘shipping’, which is derived from the word ‘relationship’, “is the belief that two characters, fictional or non-fictional, are (or will be, or should be) in a romantic relationship”.*
Other definitions I found online say about the same thing. A few made mention that shipping could be platonic, but typically its romantic in nature, and that’s what I don’t get. Why can’t fans be content with friendships?